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VUCAVU works on a video-on-demand (VOD) basis. To rent a film or video, browse the catalogue, view details for individual films and videos, and click RENT when you find something to watch.
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You can create a customized list of films and videos to watch later. To add to your list, browse the catalogue and select the +MY LIST button.
VUCAVU.education is a streaming platform that gives educators and students access to a curated selection of independent Canadian film and video art spanning more than 50 years. The shared catalogue includes documentary, fiction, experimental, and animation titles from artists across Canada, offering many unique views into the country’s cultural landscape.
VUCAVU.education is an initiative of the VUCAVU.com platform.
Fanny meets her high school friends for the annual Switch & Bitch Party.
This is video compilation is part of the educational guide produced as part of Archive/Counter-Archive’s (A/CA) Case Study, Through Feminist Lenses: Video Works at Groupe Intervention Vidéo with Groupe Intervention Vidéo.
A young songwriter seeks out her folk idol in a sleepy lakeside village, only to become enmeshed in a secretive society whose rituals safeguard the threshold between worlds.
This playful, poignant & memorable short shadow play, where humans take from forests whatever they desire - leaving nothing. A collaborative film by a Canadian filmmaker and a Japanese visual artist.
A look at the community response to the murder of Nirmal Singh Gill, a caretaker at the Guru Nanak Gurudwara in Surrey BC by 5 white supremacist skinheads in 1998.
VHS video documentation of The images, such as they are, do have an effect on us: PORN Dossier. The envelope and folders are opened and the contents examined.
Did you know that many First Nations schools get less money than provincial schools? Shannen Koostachin, a young leader from Attawapiskat First Nation, knew this was wrong, and so does Spirit Bear.
"C'est à qui, cette ville?" is a response to the 1984 film, “Ville, Quelle Ville?” This original super 8 film documented various places in Toronto’s east end and reflected upon a young woman’s life in the city.
Chilean refugee Daniela (Carmen Aguirre) wants to travel back to Chile to learn more about her family as her father is reluctant to talk about his past. But she is about find out much more than she expected.
Amidst a biodiverse wasteland on the brink of being enveloped by encroaching bitumen, the enigmatic Beast of the Earth materializes in a prophetic dance.
A female firefighter takes her daughter along for a day on the job.
Digital video documentation of The images, such as they are, do have an effect on us: PORN Dossier. The envelope and folders are opened and the contents examined.
Two sisters attempt to find common understanding amidst bickering.
As he is making a didgeridoo, Bernard Bosa tells us what vibration is for him, what it has done in his life.
Clash of cultures, care of the elderly and four women trying to make sense of their unravelling family, this is Mum Singh.
While narrating letters written to her ex, a woman attempts to cast away the lingering shadows of the relationship and overcome feelings of rejection and failure.
A young loner struggles to make connection at a haunted summer camp.
A presentation for filmmakers and artists with VUCAVU.com’s Digital Programming Intern, Stephanie Poruchnyk-Butler.
Filmed sporadically and intuitively during the summer months of 2020 and 2021, Homunculi is a recontextualization of a personal archive of hand processed 16mm “home movies” and various cinematographic experiments.
The Presider
"Six" recreates dramatic shots and actions from six classic and “B” movies recreated, acted and produced in a 3 foot by 3 foot closet by the artist. Six replaces the movie industry’s elaborate sense of artifice with a concentration on the emotional drives behind each scene. The characters portrayed all display dual and split personalities. What a feat of double displacement for the actress whose work already requires identifying with and consuming a constantly shifting series of subjects.
A fast-paced edit of diverse images, a rich mosaic of surface textures, architecture, peacocks and swans, faces and bodies...
After his family's untimely demise in 1945, George Bassler bizarrely crafts a perpetual motion machine.
A woman creates a runway to fly up into the "clear blue" above an endless landscape.
"gay shame '98" is a lo-fi document of an event of the same name that took place at dumba, a queer collectively run arts space in Brooklyn.
Only by looking back, there is an understanding of finding yourself on a moon-like space.
Languages define their worlds and memories.
A percussionist gets the chance to lead a renowned orchestra in a world premiere performance.
The real encloses the remembered. A poetic look at the distorting / defining effect of memory.
NIN E TEPUEIAN - MY CRY is a documentary tracks the journey of Innu poet, actress and activist, Natasha Kanapé Fontaine, at a pivotal time in her career as a committed artist.
A parody of the art film where sentimentality and self-consciousness are brought to an absurd level.
GUISE is an adult fairy tale for the 90s. Arising from the earth, a body discovers its nakedness. A suit of armour becomes a metaphor for the trappings of identity. Pixilated to produce the effect of a human marionette, accompanied by a good-natured verse. “guise” is by turns dark and humorous.
“Did you ever see Diana Ross in person? You wouldn’t believe her arms. They are so thin, it’s pathetic, and when she’s on stage, you can see all her veins, like stringy little ropes all over her arms. ” D.M.
"Bloodstorm" considers the paralells between the unpredictability of a storm and the turmoil of living with HIV/AIDS.
"La vie en pellicule" is film about a promise I made my son at his birth. He was born at the end of the year 2006 when negatives of family snapshots and precious moments are rare. I promised him that he would grow up with negatives as records of our lives.
David Roche looks out from the screen and starts to talk about love as he rises in the freight elevator to his lofty abode.
Invited to speak at an Indigenous Revolutionary Meeting, the narrator describes an intimate encounter with an Evil Colonizing Queen which led to Turtle Island's contraction of an invasive European flora.
Comprising five hundred images McFadden assembled to investigate the nature of homosocial and queer male relationships, A Separate Peace includes the reading of an eponymous essay the artist wrote in response to this collection and the end of his longterm relationship.
The political emotions of the butcher shop are discussed within the codes of Catholicism. Purging Catholic guilt, sins of the flesh, and flesh eating.
‘Video Home System’ traces the convergence of popular culture and politics in Pakistan during the 1980s and 1990s. This video showcases the connections between pop culture and nationalism, and how bootleg economies kept the cinema industry alive during periods of censorship.
Produced for Much Music’s Word Up program, "What Does a Lesbian Look Like?" examines a plethora of big dyke stereotypes and embraces them. Performed by Shawna Dempsey and a whole whack of gals. Created by Dempsey and Millan.
With equal rights in Canada, including same-sex marriage, this video asks, do we still need a queer neighbourhood or queer spaces?
Exploring the legacy of the Indian Residential School system by looking at its history, present conditions and hopes for the future.
This film is available in French only.
A spoken word poem and minimalist audio track about a sexy highland stream, a love letter to the beauty found in nature, and the mysterious way beauty is suffused in the natural world, written in English and Anishinaabemowin.
This video interrogates how subjectivities, political stances, and modes of social engagement formed elsewhere contribute to our positioning within the local, cultural landscape of Vancouver.
One Story was originally produced as part of the Community Play “Travois” in 1994. It is a look into the various complicated and overlapping stories that inform the current urban and traditional culture of the First Nations peoples. The questionable politics that dictate Status and the paternalism of Treaty Days are juxtaposed with the pow wow, the voice of graffiti and the street.
Riverside Queerness reveals hard moments in the Prairies' shadowed queer history. Three storytellers navigate muddy waters that is Manitoba's subconsciousness; where truth is blurred by the power of the currents.
still is part of an ongoing body of work that addresses the persistence of colonial structures in contemporary Canada through a critical white settler lens. These works confront facets of this overarching concern through a practice of performing interventions into the land/scape and tampering with iconic elements of Canadian visual culture. Integrating the residue of an off-camera performance within a quintessentially ‘Canadian’ landscape as a politically, culturally and historically mitigated r
The artist ponders the possibilities of reconciliation.
Founder: Noun- a person who establishes an institution or settlement. Verb- (of a ship) fill with water and sink. (of a plan or undertaking) fail or break down.
A place called home, a North End poem.
This intricate stop-motion animation interlaces Canada’s colonial past with writer-director Amanda Strong’s personal family history — and illuminates Cree, Métis, and Anishinaabe reclamation of culture, language, and Nationhood. (Danis Goulet, TIFF)
Maiden Indian follows three women on a journey from the mall toward a deeper understanding of self.
Since the launch of the VUCAVU platform, we've collaborated with hundreds of artists, arts organizations and educators from across Canada to present bilingual curated and educational programming online. Artists always receive royalties and screening fees from these programs and they often include additional educational resources such as recordings of roundtable discussions and artist talks. After the paid or free programming period expires, available artworks can be rented individually.
We're delighted to launch A/CA's Educational Guide series; a project and research network dedicated to the activation and preservation of audiovisual archives created by Aboriginal peoples (First Nations, Métis, Inuit), Black communities and people of color, women, LGBT2Q+ and immigrant communities.
Discover our new VUCAVU.education postcards designed by Emil Woudenberg from Strike Design Studio, featuring a still from Caroline Blais’ film “Étoiles” (available for VOD on VUCAVU!). We’re pleased to pay Caroline for using their image and are dedicated to building VUCAVU in community with artists.