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How does it work?
VUCAVU works on a video-on-demand (VOD) basis. To rent a film or video, browse the catalogue, view details for individual films and videos, and click RENT when you find something to watch.
What is MY LIST?
You can create a customized list of films and videos to watch later. To add to your list, browse the catalogue and select the +MY LIST button.
VUCAVU.education is a streaming platform that gives educators and students access to a curated selection of independent Canadian film and video art spanning more than 50 years. The shared catalogue includes documentary, fiction, experimental, and animation titles from artists across Canada, offering many unique views into the country’s cultural landscape.
VUCAVU.education is an initiative of the VUCAVU.com platform.
The VUCAVU team, in consultation with our content partners, have made the decision to slowly shut down our view-on-demand (VOD) services on our platform to make way for a new direction in our operations. VOD changes will occur on VUCAVU over the coming months. As we make changes to the platform with our developers, we will periodically update this page and share news in our regular communications.
Fanny meets her high school friends for the annual Switch & Bitch Party.
This is video compilation is part of the educational guide produced as part of Archive/Counter-Archive’s (A/CA) Case Study, Through Feminist Lenses: Video Works at Groupe Intervention Vidéo with Groupe Intervention Vidéo.
A young songwriter seeks out her folk idol in a sleepy lakeside village, only to become enmeshed in a secretive society whose rituals safeguard the threshold between worlds.
Follow along with Spirit Bear as he realizes the importance of learning history to make better decisions now and for future generations of kids and cubs.
This playful, poignant & memorable short shadow play, where humans take from forests whatever they desire - leaving nothing. A collaborative film by a Canadian filmmaker and a Japanese visual artist.
A look at the community response to the murder of Nirmal Singh Gill, a caretaker at the Guru Nanak Gurudwara in Surrey BC by 5 white supremacist skinheads in 1998.
"C'est à qui, cette ville?" is a response to the 1984 film, “Ville, Quelle Ville?” This original super 8 film documented various places in Toronto’s east end and reflected upon a young woman’s life in the city.
Amidst a biodiverse wasteland on the brink of being enveloped by encroaching bitumen, the enigmatic Beast of the Earth materializes in a prophetic dance.
A young loner struggles to make connection at a haunted summer camp.
While narrating letters written to her ex, a woman attempts to cast away the lingering shadows of the relationship and overcome feelings of rejection and failure.
Clash of cultures, care of the elderly and four women trying to make sense of their unravelling family, this is Mum Singh.
A presentation for filmmakers and artists with VUCAVU.com’s Digital Programming Intern, Stephanie Poruchnyk-Butler.
As he is making a didgeridoo, Bernard Bosa tells us what vibration is for him, what it has done in his life.
Spirit Bear's friends teach him about residential schools and how he can help with reconciliation!
A female firefighter takes her daughter along for a day on the job.
Did you know that many First Nations schools get less money than provincial schools? Shannen Koostachin, a young leader from Attawapiskat First Nation, knew this was wrong, and so does Spirit Bear.
A shortened version of the synopsis that must be less than 500 characters in length. This teaser appears in a pop up when a user hovers their cursor on a title image in our search or other pages.
VHS video documentation of The images, such as they are, do have an effect on us: PORN Dossier. The envelope and folders are opened and the contents examined.
Two sisters attempt to find common understanding amidst bickering.
Chilean refugee Daniela (Carmen Aguirre) wants to travel back to Chile to learn more about her family as her father is reluctant to talk about his past. But she is about find out much more than she expected.
This high-speed ride down mountain roads near volcanic Gunung Salak in West Java is a final fling by an aging motorcycle road racer.
This video makes use of animations of photographs and superimpositions of images. Bodies moving in space reproduce the drawings of Antonin Artaud.
A young man takes break from work, skateboarding along to see his favourite Winnipeg murals.
Art moves from innocence to complexity, back to innocence.
He’s a priest, he doesn’t say Mass and yet, every Sunday he assembles the same group of people at St. Gemma’s Church.
An impressionistic elegy for Otto Weininger, Vienna's most infamous self-hating Jew.
God's Eyes presents a situation in which a group of untrained actors are given open-ended tasks.
Grand Mother Tongue pairs poetry, spoken in Plains Cree, and breath with the intimate imagery of strawberries being consumed bite-by-bite, and finger lick for finger lick.
milkteeth is an investigation into the imperfection of memory and attempts at preserving the ephemeral.
Cliff Eyland looks back on his life as a visual artist after a successful double-lung-transplant.
A diva is tied to a wooden 'lectric chair.
"Seasick" is a meditative exploration of one's love of the sea, to the soundtrack of traditional Croatian music.
A diasporic reverie on what life would be like if the filmmaker's family never immigrated.
This video tells the story of a big boned butcher who finds passion and purpose. Both the public and the private lives of this “strange animal” are documented with the same mix of reverence and glee found in the exposés Bull-Dyke mocks. However, because we see the world through the eyes of the subject, this fictionalized history is filled with all the joy, pain and ambivalence each of us experiences.
Watch in awe as Miss Edmonton Teenburger 1983 graces the screen in her first featurette, IT'S PARTY TIME! A story as layered as her hair, as ethereal as her style. A pop explosion of Ukranian delight that will leave you bedazzled. Are you ready?
Nine women from Montreal reveal themselves to the camera. They are lesbian, bisexual and two-spirited. They come from Malaysia, Tunisia, Lebanon, Guinea and Ghana. Some are First Nations women. They reveal their sometimes painful, sometimes effortless passages leading to the acceptance of their sexual orientations...
Jill Johnston is the author of “Marmalade Me,” “Gullible’s Travels,” “Lesbian Nation’,” and “Motherbound.” This cinema verité documentary is a portrait of Johnston at work and a feminist author at a transitional point in the women’s movement and in her own career.
"This film is available in French only.Use the Search or Explore site tools to select non-dialogue or English-language films and videos." Sur un toit, une photographe croque le paysage. Soudain, un homme entre dans le champs de la caméra et la dérange. Que se passe-t-il ensuite?
It's a journey most of us are familiar with. One that starts with lust, passion, intense love and joy and eventually dwindles down the road of routine, familiarity and day to day banalities.
Balthazar has been friends with siblings Christian and Lyla since childhood. As the trio struggles with coming-of-age in a rural, conservative Canadian town, they must confront escalating desires for one another that threaten to destroy their delicate bond.
Stay Away is a video poem about the feeling of being apart.
A short film on the subject of Indigenous Love. What is (romantic) love? And what does it mean to you? 8 couples share their thoughts
Two male blow-up dolls become puppets in this short. Not only is one of the men out of air, but both of them are tragically out of synch with one another.
An Ojibwe boy falls in love with Grandfather Sun, and recites an Anishinaabe language morning prayer with a few slight alterations. Thank you Grandfather. Miigwetch Nshoomis. I love the feel of your light on my skin. Gotta love that Vitamin D. The language used in this piece is Anishinaabe/Ojibwe.
This film is available in French only.
As they get ready for the day, three young Black women discuss the public perception of their Blackness in relation to their cultivation of a strong sense of self. Wash Day is an intimate exploration into how private, domestic acts such as washing your hair or putting on makeup become a significant re-acquaintance with the body, before and after navigating the politics of one's outwardly appearance.
This video interrogates how subjectivities, political stances, and modes of social engagement formed elsewhere contribute to our positioning within the local, cultural landscape of Vancouver.
This work deals with the idea of sacred and profane and the Catholicism as an instrument of colonization.
Burning an Effigy considers intergenerational legacies of the Indian residential schools, the colonial presence, and its persistent impacts on community.
Hoop Dancers is a silent video featuring four young men in powwow regalia playing pick-up basketball.
A group of Vietnamese nationals is making their way to an unknown location in a shipping container to find a better life.
Transformed into a salmon, an Indigenous street artist travels through decayed urban landscapes to the forests of long ago, in this sublime mixed animation.
Since the launch of the VUCAVU platform, we've collaborated with hundreds of artists, arts organizations and educators from across Canada to present bilingual curated and educational programming online. Artists always receive royalties and screening fees from these programs and they often include additional educational resources such as recordings of roundtable discussions and artist talks. After the paid or free programming period expires, available artworks can be rented individually.
We're delighted to launch A/CA's Educational Guide series; a project and research network dedicated to the activation and preservation of audiovisual archives created by Aboriginal peoples (First Nations, Métis, Inuit), Black communities and people of color, women, LGBT2Q+ and immigrant communities.
Discover our new VUCAVU.education postcards designed by Emil Woudenberg from Strike Design Studio, featuring a still from Caroline Blais’ film “Étoiles” (available for VOD on VUCAVU!). We’re pleased to pay Caroline for using their image and are dedicated to building VUCAVU in community with artists.