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How does it work?
VUCAVU works on a video-on-demand (VOD) basis. To rent a film or video, browse the catalogue, view details for individual films and videos, and click RENT when you find something to watch.
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You can create a customized list of films and videos to watch later. To add to your list, browse the catalogue and select the +MY LIST button.
A group of Vietnamese nationals is making their way to an unknown location in a shipping container to find a better life.
Riverside Queerness reveals hard moments in the Prairies' shadowed queer history. Three storytellers navigate muddy waters that is Manitoba's subconsciousness; where truth is blurred by the power of the currents.
A group of amateur astronomers and eclipse-chasers prepare to view a total eclipse.
I lost my mind from working at a government call centre. This is my story.
Clash of cultures, care of the elderly and four women trying to make sense of their unravelling family, this is Mum Singh.
Short descriptionThe conflict between Armenia and Azerbaijan as seen through the eyes of the inhabitants of the Caucasus.
An intimate portrayal of the closed-off Russian city of Norilsk through the eyes of its youth, mine workers and truth seekers.
Night Circled was made by recording video from online surveillance cameras.
Çås¢a∂ing €®r0r Win∂0ws is a project about love, death, connection, the future, and the afterlife. It is an exploration of artificial intelligence, human consciousness, and embodiment that troubles deeply held convictions about what it means to be alive, to be a person, and to be in conversation with another.
An optimistic Filipina woman who has just immigrated to Canada is excited to try an apple for the first time. Similar to her experiences as a new immigrant, the apple isn't what she expected.
Captured over five years in 18 communities, INDIAN TIME paints a personal, up-to-date portrait of 11 of Quebec's Indigenous peoples. With some forty people speaking in turn, INDIAN TIME makes for exceptional encounters and immerses viewers in "Indian time" with their eyes and hearts.
"Those That Will Come, Will Hear" constructs a portrait of the erosion of languages; a global phenomenon that is still largely unexplored. This exploratory film will be a way to discover the essence of First Nations and Inuit languages still spoken in Quebec via the richness of their unique sounds and the rendering of this inherent musicality into visual imagery.
Border mechanisms that act on migrants are many. Moving from shelter to shelter and hopping on trains, they head up north across Mexico to reach the United States and Canada. During the U.S election, migrants are more than aware that it could be their last chance to cross the border. Following their trajectory, Destierros draws a path of reclusion. A path where time remains the longest road between two places.
An examination of how art and truth come into conflict at the trial of a young man accused of rape.
An austere film with touches of offbeat humour
A woman deals with the death of her mother through self-annihilating tendencies.
A woman paints with her vagina to please the art hungry masses that crowd her gallery and her life.
Métis, Métis Not is a video documentation of the filmmaker’s lack of relationship with her cultural background
Did you know that many First Nations schools get less money than provincial schools? Shannen Koostachin, a young leader from Attawapiskat First Nation, knew this was wrong, and so does Spirit Bear.
A short film essay analyzing a landscape shaped by religion, capital, and war. The film blurs the line between memory and history, only to reveal their cyclicity.
Since launching our platform in 2017, we have collaborated with curators and programmers from across the country to present film and video programs available for free streaming for a limited time. Each program includes a critical curatorial essay that explores the overarching themes and selections. After the free viewing period has expired, we encourage the public to read the essays and rent the works individually.
"The Broken Altar" is a portrait of abandoned and emptied drive in theaters.
Step-printed images of a “home” - a suburban house, no people in sight - combine with a children's story, told in saccarine tones, about the country mouse who discovers that "there's no place like home." A gently told tale of alienation.
Iron filings and magnets become tools of divination as a dowser conducts a site reading of a drill cuttings sample from an abandoned oil well in Alberta, Canada.
When the polar bears return to the shores of Churchill, so do the troubles.
The visual poetics of Vancouver are brought to light as the filmmaker reflects on the cities she has lived in, motherhood and the birth of her first son.
Spiritual sanctuary, sex, sisterhood and a gathering of faeries.
The story of a man lost in the Arctic during a blizzard and his mysterious rescuer
The house that bursts; the scene of the crime; the nucleus. A universe collapses on itself: all hell breaks loose.
When Land and Body Merge began with the artists and curator meeting online, and over a two month period creating work through video and writing that allowed them to connect and build a relationship from afar. They worked with the idea of a call and response with Lindsay creating work, and Jaime responding to it, and vice versa.
Brasília, science fiction, a future that happened in the past.
A study of St. Ignace, in Huronia, where the ethnographers and Jesuit missionaries, later saints, Jean de Brébeuf and Gabriel Lalemant, were killed in 1649.
Enchanted Karaoke provides magical intervention options for the contemporary urban environment.
Maiden Indian follows three women on a journey from the mall toward a deeper understanding of self.
The intention is to portray the ritualism and victimization of dating and mate selection. The tape explores the chain of events initiated by the main characters as they unfold.
The Headless Woman is a monologue by Shawna Dempsey that recounts a revelatory love story between a headless woman and a sword-swallowing man. It was performed live with a pianist and bass clarinetist who provide emphatic musical interludes and interjections and create a cabaret-style atmosphere.
The camera scans a woman’s body in microscopic detail. A voice-over asks such questions as, “what is the dividing line between the public and the private?”.
"Slumberparty 2018" is a remake of a 1984 Super 8 film called Slumberparty made by the Positive Pornographers, a mostly queer collective of Toronto-based artists, activists and sex-workers. Commissioned by A-Space Gallery's "Developing a Women's Erotic Language on Film" workshop, Slumberparty was made as a direct intervention in Toronto’s feminist porn debates.
In this fiction 2 women talk about their lives and different issues that come with aging...
Produced for Much Music’s Word Up program, "What Does a Lesbian Look Like?" examines a plethora of big dyke stereotypes and embraces them. Performed by Shawna Dempsey and a whole whack of gals. Created by Dempsey and Millan.
Recitations not from memory is an experiment in recounting gendered experience, and particularly gender discrimination, within the urban Indian context.
Playing with sexuality and erotic imagery, this short looks at taboos and different ideas of what’s hot.
This film is available in French only. Use the "Search" or "Explore" site tools to select non-dialogue or English-language films and videos.
A girl with the power to heal conducts a ceremony that attracts a shapeshifter
Within a few months, the Kutupalong refugee camp has become the biggest in the world, home to 700 000 Rohingya exiles fighting for their survival.
The little-known editor of the epic opus Shoah, Ziva Postec delves into her memories, where personal recollection mingles with the shards of History. For the first time, she tells her story, bringing previously unseen footage to the screen.
Chilean refugee Daniela (Carmen Aguirre) wants to travel back to Chile to learn more about her family as her father is reluctant to talk about his past. But she is about find out much more than she expected.
Shot improvisationally in 2010, shortly after the end of the Sri Lankan civil war, this film takes a lyrical approach to examining recent history and the process of reconstruction in the post-war era.
A true story of hope, ethnic cleansing and letting go.
The film depicts a society controlled by an autonomous system.
SURGES is an online ecosystem of seven virtual environments presented by IOTA Institute in partnership with VUCAVU. This project invites artists to design online exhibition spaces with technical support, to create experiences for audiences beyond linear visual aesthetics. Artworks explore vibrational haptics, interactive instruments, 360 video, and augmented reality to create multisensory online experiences and encounters.